Looted Nazi artworks being returned, includes Goya work
CBC.CA reports that the Dutch government will be returning artworks looted by the Nazi government during WW2 (report here)
The Dutch government on Monday agreed to return more than 200 paintings by old masters to the heirs of a Jewish art dealer whose collection was looted by the Nazis.The paintings, by Rubens, Rembrandt, Goya and other well-known painters, are valued at hundreds of millions of dollars.
They will be returned to the family of Jacques Goudstikker, a major pre-war art collector who fled the Netherlands shortly before the German invasion in May 1940.
A news report on this (and the return of a set of 5 Gustav Klimpt paintings) at leadingthecharge.com brings up an interesting point – there are many still missing works from the Nazi era:
Others works that Goering took — including pieces by Van Gogh, Rembrandt, Velasquez, Goya, Rubens, Brueghel, Titian and Tintoretto — remain lost. A handful have been returned by buyers who later realized the paintings were Goudstikker‘s.
New Book: Hidden Mysteries in Goya's Paintings
By Manuel Real Alarcony
The author is a Spanish writer born in Cuenca, Spain, presently living in Valencia.
The following are excerpts from his published book "Misterios Ocultos de la Pintura de Goya" (Hidden mysteries of Goya's Paintings). They constitute, all by themselves, corroboration and support of the existence of Goya's amazing parallel talent creating a misterious, intricate cryptic system of "self validation", undiscovered for more than two centuries.
Page 22: Second paragraph.- "Almost most of the canvas is imbedded with inscriptions, that must be very interesting given the circumstance, such as those in his paintings. Inscriptions that are just about to be read, but one cannot read them altogether. Goya does not allow them to be read, he rather expects them, one day, to be read. To that purpose he employs the method, instruments, occasion and necessary field; a single hair brush, a pin, for cleaved engraving or relief, or, in a natural manner with a normal brush, only to later paint, stain over it, imbed them taking advantage of those zones in which the inscriptions or legends adapt themselves to the drawing or its forms, and embodying these to configure hidden images. It is so, that in this painting the clothing area has numerous indications of the imbedding....
Much more about this book at goyadiscovery.com
UPDATE: The Forman-Saentz Goya film nears completion
Our page on Goya movies is here
Quote below from the UK Telegraph here
Czech director Milos Forman's movie about 18th-century Spanish artist Francisco Goya, Goya's Ghosts, looks as if it could be ready for release this summer. Forman completed filming at the end of December and is now starting post-production. The movie, which stars actors Javier Bardem and Natalie Portman (who plays Goya's teenage muse), should receive its world première in Prague.
Mexico City hosts
"Goya: Prophet of Modernity" at the National Museum of Art :
Until March 5, 2006
Tacuba No. 8, Centro Historico, Mexico, D.F.
Phone (52) 5512-3224, Tuesday through Sunday: 10 a.m. to 5:30 p.m.
Article at El Universo (The Herald) here
Coverage at the Orlando Sentinel here
Goya: Prophet of Modernity," at the National Museum of Art in Mexico City. Drawn from more than two dozen museums and private collections across the globe, including London´s National Gallery and the Prado in Madrid, which organized the show with Berlin´s Nationalgalerie Staatliche Museen, it includes a number of oil paintings, drawings and other works never previously shown in Latin America. The newspaper Reforma reported last month that nearly 40,000 people had visited the exhibition in its first three weeks, a pace that would put "Goya" on track to draw 150,000 visitors by its March 5 closing. (By comparison, the show drew 200,000 last summer and fall in Berlin.)
Goya
Movie page
updated
Added
photos here.
Goya's
Los Proverbios
[Disparates]
online
The
entire etching
collection
is online here.
"Mysteries of the Rectangle" by Siri Hustvedt
We just got in a copy of the Siri Hustvedt book of essays about nine
subjects of art, two of which are specific to Goya - the Los Caprichos etchings, and Goya's paintings in general.
"Before he fell ill in 1792, Goya gave an address to the Royal Academy of San Fernando about methods of teaching the visual arts. In it he vehemently advocated the importance of working from nature and not from other paintings, sculptures, or casts, which was the common practice in art academies all over Europe at the time. 'I will give a proof to demonstrate with facts that there are no rules in painting, and that the oppression or servile obligation of making all study or follow the same path is a great impediment for the young who profess this very difficult art.' From page 96) The web page for this book at the Princeton Architectural Press is here.
Prado
"...micro-signatures
are
madness
"
Article
about
Chief
Goya
Curator
Manuella
Mena
from
the
Prado here.
Is
there
a
Goya
in
your
home?
Article
about
the
tests
for
finding
a
true
(or
false)
unknown
Goya here.
Maak:
"Goya
idealised
nothing"
Sign
and
Sight
reports
Niklas
Maak's
reaction
to
the
Berlin
Goya
exhibit here.
Goya's
oeuvre was "marked by
an ambivalence towards revolution,
a mixture of hope for emancipation
and fear of the horrors born
of anarchy", Maak explains.
"Only a decade after
his arrival, Goya had risen
to become the most successful
court painter and portraitist
of his time. This may seem
surprising from today's perspective
because Goya idealised nothing:
if you had a potato nose he
painted you a potato nose.
The dignitaries in his portraits
stand there looking strangely
awkward. Whereas the figures
in Velasquez portraits know
precisely how to present themselves,
Carlos IV's family in Goya's
famous painting stands about
in a confused group, looking
disoriented in all directions
as if a guillotine-happy mob
from the neighbouring country
might already be lurking nearby.
Asmodea
Our
web
page
on
the
Black
Painting
"Asmodea"
has
been
updated here.
New
Goya
Web
Site
A
new
web
site
concerned
with
authentication
issues
and
Goya,
particularly
regards
to
the
work
of
restorer
Dr.
Antonio
Perales,
is here.
London
Goya
Lecture
by
Dr.
Sarah
Symmons
Dr.
Symmons
web
site
has
notation
of
a
lecture
slated
for
Thursday,
November
24th
at
2:30
pm
at
the
Wallace
Collection
in
London.
The
web
site
announcement
is here. The
Wallace
Collection
web
site
is here. Our
page
with
an
interview
from
2004
with
Dr.
Symmons
is here.
Dr.
Perales
and
the
World
Art
Service
Foundation
Expert
Goya
restorer
Dr.
Antonio
Perales
Martinez
is
involved
with
this
new
non-profit
organization.
You
can
read
an
English
translation
of
an
article
from
Spain's La
Razon discussing
this
organization
and
its
efforts
to
streamline
art
commerce here.
Review
of
the
Vienna
Goya
Exhibit
International
Herald
Tribune
carries
a
short
review
of
the
Vienna
show
here.
"Political
and social upheavals in Spain
may have contributed to the
development of Goya's art.
Indeed, the Spanish painter's
art evolved from conventional
portraits of members of the
Spanish court to expressively
realistic depictions of scenes
from the Napoleonic wars,
and small horrific scenes
set in prisons, hospitals
and asylums, the latter created
after Goya lost his hearing
in 1793."
"...the
blockbuster Goya: Prophet
of Modernism, which has
already drawn long lines
in Berlin and runs at Vienna's
Kunsthistorisches Museum
(khm.at) from Oct. 18 to
Jan. 8."
...the
blockbuster ``Goya: Prophet
of Modernism,'' which has
already drawn long queues
in Berlin and runs at Vienna's
Kunsthistorisches Museum from
Oct. 18 to Jan. 8.
Rare
Caprichos
exhibit
in
New
York
City
In
Chelsea,
a
darkened
exhibition
space
usually
portends
a
video.
But
this
summer
the
Chelsea
Art
Museum's entire
third
floor
is
dimmed
to
protect
art
of
a
more
vintage
sort:
A
1799
edition
of Goya's
"Los
Caprichos,"
the
only
one
produced
under
the
artist's
personal
supervision. |
The
New
York
Sun
newspaper
has
the
story
here. The
New
Jersey
Star-Ledger
covers
the
exhibit
here.
79
Picture
Goya
Exhibit
in
Berlin
The
Staatlichen
Museen
zu
Berlin
is
presenting
"Goya
Prophet
der
Moderne"
with
a
special
web
site
here.
The
exhibition
will
be
on
view
from
13
July
until
3
October
2005
on
the
Museumsinsel
in
Berlin
before
travelling
on
to
Vienna. Sign
and
Sight
reviews
the
exhibit
here.
"Goya
himself
disliked
wearing
black.
When
the
court
was
in
mourning
for
King
Carlos
III
he
wrote
that
everyone
went
round
looking
like
crows."
Goya's
"Cannibal
Count"
Found
The
recently
discovered
Goya
portrait
of
Count
Ugolino
della
Gherardesca
(it
was
only
authenticated
in
1990)
has
been
recovered
in
Montenegro
after
being
stolen
in
2001
while
on
exhibit
in
Turin,
a
city
in
North-western Italy.
Complete
story here.
"From
Goya
to
Sorolla"
Exhibit
Review
of
the
exhibit
on
the
occassion
of
the
anniversary
of
the
Hispanic
Society
is
online
at
the
New
York
Times\here.
Graphisms
of
Goya
-
Pavo
Muerto
A
brief
examination
of
Goya's
painting
Dead
Turkey
and
a
number
of
identified
graphisms.
Page
here.
Professor
Antonio
Perales
Martinez
Page
about
the
Goya
expert
here.
Goya
Engraving
Exhibit
in
Moscow
The
exhibit
From
Durer
to
Goya.
Three
Centuries
of
European
Engravings
from
the
Ural
Museum
(website
here)
has
opened
in
Moscow.
Short
news
item
here
What
is
Happening
with
Goya?
An
article
(in
English
translation)
from
the
Spanish
magazine
Fundetel
here.
The
Colossus
(updated)
Our
page
on
the
painting
The
Colossus
has
been
updated
here.
Dead
Turkey
(pavo
muerto)
One
of
a
series
of
ten
still
lives
painted
by
Goya.
The
painting
is
here.
Goya
film
seems
certain
Actress
Natalie
Portman
interview
discusses
the
upcoming
Goya
film
by
Amadeus
makers
Saul
Zaentz
and
Milos
Forman.
Goya
movie
page
here.
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