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Goya the Artist

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The Black Paintings - Deaf Man

Deaf Man by Goya

The Black Paintings
Deaf Man

1820-23 Oil on gesso
56 3/4 inches by 26 inches
Prado Museum, Madrid

This image is sometimes considered to be a kind of self-portrait.If so, the shouting figure (described variously as a demon or other creature) cannot penetrate past the old man's (Goya?) deaf ears.

Deaf Man by Goya


Goya's the "Black Paintings"

Atropos (The Fates)

Goat

Fight with Cudgels

Two Women

Men Reading

Deaf Man

Asmodea

Old Men Eating

Saturn

La Leocadia

La Quinta de Goya – Goya's home in Spain and location where he made the Black Paintings

Writings about the Black Paintings

The Black Paintings

De Salas on the Black Paintings

Lubow on the Black Paintings


AMAZON

Goya The Terrible Sublime - Graphic Novel - (Spanish Edition) - Amazon


Goya: His Life & Works in 500 Images: An illustrated account of the artist, his life and context, with a gallery of 300 paintings and drawings – 256 pages, Lorenz Books, 2015 - Amazon


Goya Ephemera

"From this headlong seizure of life we should not expect a calm and refined art, nor a reflective one. Yet Goya was more than a Nietzschean egoist riding roughshod over the world to assert his supermanhood. He was receptive to all shades of feeling, and it was his extreme sensitivity as well as his muscular temerity that actuated his assaults on the outrageous society of Spain." From Thomas Craven's essay on Goya from MEN OF ART (1931).

"...Loneliness has its limits, for Goya was not a prophet but a painter. If he had not been a painter his attitude to life would have found expression only in preaching or suicide." From Andre Malroux's essay in SATURN: AN ESSAY ON GOYA (1957).

"Goya is always a great artist, often a frightening one...light and shade play upon atrocious horrors." From Charles Baudelaire's essay on Goya from CURIOSITES ESTRANGERS (1842).

"[An] extraordinary mingling of hatred and compassion, despair and sardonic humour, realism and fantasy." From the foreword by Aldous Huxley to THE COMPLETE ETCHINGS OF GOYA (1962).

"His analysis in paint, chalk and ink of mass disaster and human frailty pointed to someone obsessed with the chaos of existence..." From the book on Goya by Sarah Symmons (1998).

"I cannot forgive you for admiring Goya...I find nothing in the least pleasing about his paintings or his etchings..." From a letter to (spanish) Duchess Colonna from the French writer Prosper Merimee (1869).



Los Caprichos Goya - Amazon

GOYA : Los Caprichos - Dover Edition - Amazon


Goya Book - Robert Hughes - 2006


Goya A Life in Letters

Goya: A Life in Letters


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