Goya Artwork
Black Paintings Special Section
P A I N T I N G S
1770
Martin Zapater
1777
The Parasol
1780
La nevada
Winter (The Snowstorm)
1780
Crucifixion
1783
Portrait Count Floridablanca
1783
Family of Infante Don Luis
1784
Sermon of Saint Bernardino of Siena
1784-1788
Portrait of Don Manuel Osorio de Manrique Zuniga
1786-1787
The Swing
1786-1787
La fragua
The Forge
1790-1795
Self-Portrait with Easel
1790 - 1815
Josefa Bayeu
1793-1794
Fire
1795
Duchess of Alba
"White" Portrait
1795
Duchess of Alba & Her Duenna
1795-1797
Self-Portrait on Linen
1797
Duchess of Alba
"Black" Portrait
1797-1800
Self-Portrait with Spectacles
1800-1801
Family of Charles IV
1805-1810
Young Woman with a Fan
1810-1812
Majas on a Balcony
(Switzerland)
1810-1812
Majas on a Balcony
(Metropolitan Museum version)
1810
The Colossus
1810
Time
1812
Dead Turkey
1812-1814
Duke of Wellington
1812-1819
Burial of the Sardine
1814
Portrait of Rita Moon Luna
1814
Second of May
1814
Third of May
1820
la maja vestida
1820-1823
The Pilgrimage to San Isidro
1820-1824
Carnival Scene
1820-1823
Atropos
(The Fates)
1820-1823
Goat
1820-1823
Fight with Cudgels
1820-1823
Two Women
1820-1823
Men Reading
1820-1823
Deaf Man
1820-1823
Asmodea
1820-1823
Old Men Eating
1820-1823
Saturn
1820-1823
La Leocadia
1825-1827
Milkmaid of Bordeaux
unknown dating
Josefa Bayeu
Striker Family Goya
E T C H I N G S
LOS CAPRICHOS
1792-1799
Plate 33
To the Count Palantine
Plate 77
First One, Then Another
AFTER VELASQUEZ
After Les Minanas
Dwarf el Primo
DISASTERS OF WAR
1810-1820
Plate 1
Melancholy presentiments of things to come
Plate 39
Great Deeds – Against the Dead
Plate 47
This is how it happened
PROVERBIOS / DISPARATES
1815-1824
Plate 7
Matrimonial Extravagance
Plate 10
Young Woman on a Bucking Horse
Plate 12
Three Gentlemen and Three Dancing Ladies
Plate 14
Foolishness at the Carnival
Plate 18
Old Man Wandering Among Phantoms
MISCELLANEOUS ETCHINGS
D R A W I N G S
Duchess of Alba and Maria de la Luz
A Group of Women - 1796 | Madrid Album
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AMAZON
Goya The Terrible Sublime - Graphic Novel - (Spanish Edition) - Amazon
"From this headlong seizure of life we should not expect a calm and refined art, nor a reflective one. Yet Goya was more than a Nietzschean egoist riding roughshod over the world to assert his supermanhood. He was receptive to all shades of feeling, and it was his extreme sensitivity as well as his muscular temerity that actuated his assaults on the outrageous society of Spain." From Thomas Craven's essay on Goya from MEN OF ART (1931).
"...Loneliness has its limits, for Goya was not a prophet but a painter. If he had not been a painter his attitude to life would have found expression only in preaching or suicide." From Andre Malroux's essay in SATURN: AN ESSAY ON GOYA (1957).
"Goya is always a great artist, often a frightening one...light and shade play upon atrocious horrors." From Charles Baudelaire's essay on Goya from CURIOSITES ESTRANGERS (1842).
"[An] extraordinary mingling of hatred and compassion, despair and sardonic humour, realism and fantasy." From the foreword by Aldous Huxley to THE COMPLETE ETCHINGS OF GOYA (1962).
"His analysis in paint, chalk and ink of mass disaster and human frailty pointed to someone obsessed with the chaos of existence..." From the book on Goya by Sarah Symmons (1998).
"I cannot forgive you for admiring Goya...I find nothing in the least pleasing about his paintings or his etchings..." From a letter to (spanish) Duchess Colonna from the French writer Prosper Merimee (1869).
GOYA : Los Caprichos - Dover Edition - Amazon
