Goya the Artist

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The Black Paintings - La Leocadia

Leocadia Weiss - Boya - 1827

The Black Paintings
La Leocadia
also called
Una Manola

Doña Leocardia Weiss
1827 Oil on linen, transferred from plaster
57 inches by 52 7/8 inches
Prado Museum, Madrid

la Manola Goya

Leocadia (sometimes spelled Leocardia) Weiss lived with Goya the last years of his life. She was hired as a housekeeper, bringing with her daughter Rosario. Goya taught Rosario painting and drawing skills, and she later had a career as a painter in France and Spain. Goya's will instructed that at his death she was to be treated as a "natural child." This has led to speculation that Goya fathered Rosario as he had known Leocadio for several years prior to hiring her. However, many Goya biographers say that the dating do not match up, that it is more likely that Leocadia's husband, whom she had divorced years earlier, was Rosario's biological parent.

This painting of Leocadia is one of the fourteen "Black Paintings" executed by Goya upon the walls of his house in Madrid. X-ray investigations of the image show that originally the figure leaned upon a fireplace mantle, and that she was not dressed in mourning clothing, as shown here.

The usual speculation is that Goya himself added the funeral aspects later, when mood, or old age, had moved him to give a different message to the image. It is also suggested that some other hand added the mourning aspects after Goya's death - - perhaps Rosario? But it seems unlikely she would have had entrance to Goya's former home, which had been given to Goya's grandson Mariano, since Goya's son Xavier and Rosario's mother Leocadia did not have a friendly relationship following Goya's death in Bourdeaux.

Special section on The Black Paintings

Link: Museo del Prado page on Leocadia Weiss painting

Goya's the "Black Paintings"

Atropos (The Fates)


Fight with Cudgels

Two Women

Men Reading

Deaf Man


Old Men Eating


La Leocadia

La Quinta de Goya – Goya's home in Spain and location where he made the Black Paintings

Writings about the Black Paintings

The Black Paintings

De Salas on the Black Paintings

Lubow on the Black Paintings


Goya The Terrible Sublime - Graphic Novel - (Spanish Edition) - Amazon

Goya: His Life & Works in 500 Images: An illustrated account of the artist, his life and context, with a gallery of 300 paintings and drawings – 256 pages, Lorenz Books, 2015 - Amazon

Goya Ephemera

"From this headlong seizure of life we should not expect a calm and refined art, nor a reflective one. Yet Goya was more than a Nietzschean egoist riding roughshod over the world to assert his supermanhood. He was receptive to all shades of feeling, and it was his extreme sensitivity as well as his muscular temerity that actuated his assaults on the outrageous society of Spain." From Thomas Craven's essay on Goya from MEN OF ART (1931).

"...Loneliness has its limits, for Goya was not a prophet but a painter. If he had not been a painter his attitude to life would have found expression only in preaching or suicide." From Andre Malroux's essay in SATURN: AN ESSAY ON GOYA (1957).

"Goya is always a great artist, often a frightening one...light and shade play upon atrocious horrors." From Charles Baudelaire's essay on Goya from CURIOSITES ESTRANGERS (1842).

"[An] extraordinary mingling of hatred and compassion, despair and sardonic humour, realism and fantasy." From the foreword by Aldous Huxley to THE COMPLETE ETCHINGS OF GOYA (1962).

"His analysis in paint, chalk and ink of mass disaster and human frailty pointed to someone obsessed with the chaos of existence..." From the book on Goya by Sarah Symmons (1998).

"I cannot forgive you for admiring Goya...I find nothing in the least pleasing about his paintings or his etchings..." From a letter to (spanish) Duchess Colonna from the French writer Prosper Merimee (1869).

Los Caprichos Goya - Amazon

GOYA : Los Caprichos - Dover Edition - Amazon

Goya Book - Robert Hughes - 2006

Goya A Life in Letters

Goya: A Life in Letters


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